মৃৎমঞ্জুরি পুষ্পিকা
মৃৎমঞ্জুরি পুষ্পিকা / Mritmonjuri Puspika
Asian Art Biennale – Performance Art 2018, Dhaka, Bangladesh
A five-day-long performance art event titled ‘Live Stream’ was arranged at the performance art pavilion of 18th Asian Art Biennale at National Theater Hall of Bangladesh Shilpakala Academy, Dhaka. A total of 26 performance artists including 15 Bangladeshi artists participated in the event.
Ashim Halder Sagor explore his performance art ”Something I Feel, Sometimes I Can’t” & explain about his performance idea- Artist contextualize the new idea as fundamental components of performance art and the relationship of the body to the society and its cultures in public. The performance was collocated chicken grill on his face and chick in Shilpakala Academy.
Aesthetically Ashim characterize himself against the social preconception and common structures of violence, political injustice and religious activism as a social process within our global community.
Appearance of City Memories
Appearance of City Memories, Video Installation by Ashim Halder Sagor
Dhaka is the capital and largest city of Bangladesh based on the bank of Buriganga River & it is the cultural and economic hub of the country. Having a historical background, the old part of the city, known as Old Dhaka. During the last couple of century for the demand of economy, population, modernization & development the classic old Dhaka is almost changed. The Buriganga River is mostly polluted. Now the old Dhaka is growing up with newly architectural building but still I’m missing the classic architectural heritage of the Mughal Empire & British Colonial. To present the appearance of city Dhaka I overlapped memories of the old classic & modern developed Dhaka through the video
Appearance of City Memories, Video Installation by Ashim Halder Sagor
Interwoven Dialogues -2
Video Installation by Ashim Halder Sagor
Interwoven Dialogues is a video installation. The artistic dialogues are visual with the old, antique TV & monitor which is playing the video of artist own. The entire installation looks like a moving life. Here is displaying 16 pieces of TV with Video, Image & wooden object. Artist has desire to interwoven the moving feeling or emotion.
Foods Art and Fantasies of Future Meal -2
Ceramic Installation Art by Ashim Halder Sagor
at 24th National Art Exhibition 2021, Dhaka, Bangladesh
During the COVID19, billions of people around the world face lockdown, joining family breakfasts, lunches & dinners at home regularly, and are experiencing the joys of eating together. Resurgent shifted to family meals with their own culture and lifestyle which are the most precious things happening in the pandemic.
In the early lockdown in Bangladesh, I was upset that I couldn’t go to my studio for clay work. I spent a lot of time watching TV news & talk shows, and noticed – shortage of food & medicine. Neighborhoods are storing food more than they need. Everywhere is like tumult about food. Notwithstanding, Needy people were robbing food from a relief truck ignoring the social distancing-order. It was shocking. It influences my art practice to think about food.
I know; Food art wouldn’t be providing balanced nutrition, would be rations of mental pleasure, fantasies of future meals.
For more details visit – www.ashimsagor.com
Finding out where I belong in the portrait by Ashim Halder Sagor
Bangladeshi artist Ashim Halder Sagor’s Performance Art as the part of 24th National Art Exhibition, Dhaka, Bangladesh 2021
Ashim Halder Sagor’s Performance Art
Existence of Identity -2, Performance Art by Ashim Halder Sagor at Carzon Hall, University of Dhaka, 2015
Details: http://ashimsagor.com/
“Forgive,Forget Not“ A performance art by Bangladeshi Performance artist – Ashim Halder Sagor
Performance Art by Bangladeshi Artist Ashim Halder Sagor
Eco Sensation, a performative exploration of the city
DHAKA WALK workshop outcome Open studio on Friday 20 January 2012.
Workshop conducted by Diana Wesser, Germany & organized by Britto Arts Trust, Bangladesh.
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